Ὑπερβόρε(ι)οι

by Fluttershy Studios

Rating: teen
Tags: Horror, Dark
Length: 288

An ancient, malignant evil had awoken. With five of her friends missing, Fluttershy decides to look for them in the darkness where the evil lurks.

An ancient, malignant evil unlike any other had arisen and prompted five of the bearers of the Elements of Harmony - the exclusion being Fluttershy - to take action.
Now, it had been days since their departure, and Fluttershy decides to look for them. When she does find her friends, they would be corrupted by the evil lurking under.

Published 1970-01-01 00:00:00 UTC
Last updated 2016-08-12 02:52:45 UTC

Before Reading

     Hopefully, I had stopped you before you began to read this novel. I need to tell you about about the unconventionalities in this story: This fanfic is a piece of ergodic literature. The dialogue and thoughts will not have conventional grammar applied to them. The dialogue is written to make the reader imagine the details of a character's speech: italicization, for manifesting stress in a character's voice; substitution of a letter with an apostrophe, if necessary, such as in the case of Applejack; occasional removal of commas - to explain, "Get me soup John," which is said in one breath, sounds more natural than, "Get me soup, John," which is said in two breaths, "Get me soup" and "John"; and liberties concerning the spelling of words - such as, "Fuhgeddaboudit!" ("Forget about it!") The thoughts are italicized, not capitalized - not even proper names are capitalized - and have no punctuation. . . . Another grammatical unconventionality, which I just utilized, is the German four-dots punctuation mark that combines related paragraphs as a single paragraph and, as three dots instead of four, can also be used to indicate a continuation from the end of a Haupstück, a numbered, 'major part' of a chapter about a single topic, to the next that must begin with a hyphen. . . . I do the latter because it reduces the number of sections in the Haupstücks to not lose track of my story, and the reason for the former is to do a simple, concrete form of 'narrative sympathy/complicity'.

     Regarding the last chapter and epilogue, I ask for your indulgence in a lot of apparent typographical "errors". You'll see what I mean once we get there.